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The Silver Sphere by Michael Dadich PDF Print Write e-mail

The Silver SphereThe Silver Sphere

By

Michael Dadich

See below for gift card giveaway...comment for a chance to win!

BLURB:

Shelby Pardow never imagined she could kill someone. All she wants to do is hide from her troubled father… when she is teleported to awaiting soldiers on the planet Azimuth. Here she is not a child, but Kin to one of the six Aulic Assembly members whom Malefic Cacoethes has drugged and imprisoned. He seeks to become dictator of this world (and then Earth by proxy).

His father, Biskara, is an evil celestial entity, tracked by the Assembly with an armillary device, The Silver Sphere. With the Assembly now deposed, Biskara directs Malefic and the Nightlanders to their strategic targets. Unless….

Can Shelby find the other Kin, and develop courage and combat skills? Can the Kin reassemble in time to release or replace the Assembly, overthrowing Malefic and restraining Biskara?

AUTHOR INFORMATION:

I’ve been writing since first setting pencil to steno pad at age 8. A year later, I began developing the world of my current series-in-progress, and even created its title, The Silver Sphere. Now, with the support of years of experience, those early maps and back stories have progressed into what I hope is a fresh and entertaining take on the classic young adult fantasy adventure.

 

Despite my frequent escapes into parallel worlds, I root myself firmly in my very real family and community. When not pacing the yard maniacally after every few pages of writing, I spend as much time as possible hanging out with my studly 9-year-old son, and my inspirational wife Jenna. I also coach several local youth sports teams in Beverly Hills, and alternate between yelling at my two crazy Corgis and hiking with my trained German Shepherd.

For more, join me in my favorite fantasy worlds, from Lord of the Rings to the creations of C.S. Lewis, Anne McCaffrey and Terry Brooks. Even more importantly, stop by and say hello on my Facebook page at AuthorMichaelDadich, tweet me at @MichaelDadich, and stalk my website at http://www.thesilversphere.org

 

Michael will be awarding a $75 Amazon or BN.com GC to a randomly drawn commenter during this tour and his review tours:

1/1/13 Always a Book Lover
1/2/13 Rogues Angels
1/3/13 White Sky Project
1/3/13 Welcome to My World of Dream
1/4/13 Long and Short Reviews

 
Breaking Out Useful Examples PDF Print Write e-mail
Written by Kat Duncan   
Monday, 17 December 2012 10:50

Donald Maass started writing advice to writers back in the mid-1990s. He's a published novelist (under a pseudonym) and has a successful career as a literary agent, so I think he has a good background to draw on. Tens of thousands of writers slave away hour after hour trying to write the best novel they possibly can. Mr. Maass asked himself: of those novels that find publication, why do so many of them fall flat in the market? He offers some insights into this in his books, and in my opinion he does one thing better than many others who give writing advice: he uses novels as examples.


Other authors who write about how to write use movies as examples. There's nothing wrong with using movies as examples except that using ONLY movies as examples doesn't ever really get at the heart of good writing. A movie and a novel are two very different mediums for storytelling. Using movies as examples can be a good starting point for discussing several important topics in writing. After all, movies have plots, characters, conflict, scenes, settings, and beginnings, middles, and endings, just like novels do. However, using only movies as examples can cause you to fall into the trap of using screenwriting techniques and terms. Some of these translate well and apply to novels, while others do not. A good screenplay is based on the dramatic elements of timing and visual input. A good novel is based on the dramatic elements of subjective detail and complexity driven by personal imagination.

Novels do not have the luxury of presenting information to the reader on their own fixed time frame. Readers can pick up and put down novels at any point in the story. Yes, I realize you can walk out of a movie and you can hit pause and replay on the DVD player, but typically you do not. Besides, not many read an entire novel in one sitting. As an author, spending time learning techniques of timing such as beats and visual drama that do not translate well into prose makes your novel's success dependent on dialogue and dramatic action. This works for some novels. But very few of these are breakout novels. Breakout novels offer something more than just snappy dialogue and lots of action. They present profound messages that can be interpreted and explored on many levels.

The differences between novels and movies are obvious when a novel gets made into a movie. Certain scenes that work well in the novel do not translate well into the visual format of a movie and novel scenes often have to be pumped up and dramatized to really work in a visual setting. The reverse is also difficult, making a novel out of a movie because it's hard work to develop the words to capture the deeper meanings of the visual action. That's what most authors who use movies as examples are asking you to do. If you are struggling to write a novel, why would you want to make the task that much harder by using only movies as examples?

Mr. Maass's techniques go deeply into the vehicle of prose and its unique qualities. Using modern breakout novels, not the classics that might be a stretch for budding writers, he uncovers the essence of what makes a novel break out: a novel world that feels so real you don't want to leave, characters so memorable you wouldn't be surprised to meet them in person, and a passionate, complex message that will change your reader's way of viewing the world.

Even if you haven't read the novels he refers to (he provides excerpts) you can understand the explanations he gives and try out the writing techniques that could work for you at this point in your career. The techniques also come in several formats to help you make the most of your time.

Join me this coming year for an exciting and worthwhile journey into the breakout novel world. I'm teaching Maass's Breakout Novel Series in 4 Parts: Character Development, Plot Development, Story Techniques and Pitching, and Advanced Breakout Techniques. I have a limited number of Writing the Breakout Novel books and Writing the Breakout Novel Workbooks. If you comment on this post before December 25th, I'll be randomly drawing names to give them away.

Click here to learn more about the Maass workshops I'm teaching at Savvy Authors.

Click here to learn more about all my upcoming workshops.

Happy Holidays!

 

 
A Mentee's Experience PDF Print Write e-mail

Please welcome, Raylee Williams, a lovely writing mentee and friend who has agreed to talk a little bit about the mentor/mentee process.

KD: Tell us a little bit about where you are in your writing career and what led you to seek a writing mentor.

RW: I’m working on a m/m romance series.  Right now I’m editing the first ms and drafting the second.  As for what led me to seek a mentor, I’d say it sort of happened spontaneously.  When I made my decision to pursue publication in July of 2010, I began studying craft.  So I enrolled in many workshops.  I think I was taking one a month.  During this time, I was processing tons of information.  I was unsure what to keep and what to file under G.  I’d even say I began to doubt myself and the story.

I knew Kat through a few past workshops.  She was my favourite teacher and a person whose opinion I trusted and respected.  When someone began attempting to steer my ms in a different direction, I emailed her for advice.  Kat helped me figure out what needed fine-tuning.  She never told me what needed fine-tuning.  She gave me the tools to figure it out myself.  After that I kept emailing her LOL.  That’s how my mentorship started.

KD: Did you/do you worry that having a mentor will push you in a direction decided upon by the mentor rather than a direction you'd prefer?

RW: Not with Kat.  As I mentioned in the question above, she provides me with guidance.  If I’m way off base in my ms, she’ll ask questions.  The more questions I answer, the more I find my own answers.

Now being pushed in the mentor’s direction can happen, though.  So finding the right mentor is important.  What worked for me is I trusted Kat from my first workshop.  I was shaking in my boots, wondering if she’d tell me to get out of her grammar workshop and come back when I grew a brain.  But she was patient, understanding, and helpful.  I knew right then she was the perfect teacher because she wants her students to succeed.

KD: What qualities appealed to you most about having a mentor in general, or Kat specifically?

RW: I’d say it’s more of a connection I share with someone.  Kat listens.  She doesn’t lead you through the forest.  She provides you with the skills and tools so you can guide yourself through the forest.  But if you get lost or fall in a swamp, all you have to do is holler her name and she appears, again, offering skills and guidance.

KD: Is being a mentee demanding? Do you feel pressured to live up to what your mentor is asking you to do?

RW: No pressure at all.  As a matter of fact, I can’t think of a time when Kat told me to do something LOL.  Seriously.  She’s never handed me a book and said, “read this first before we get started.”  Or, “figure this out and that out and then get back to me.”  She lets you set your own pace.

KD: Tell us two specific ways having a mentor has helped your writing.

RW: Just two?  Hah.  I could list tons.  I’d say she helped me develop conflict that will carry a story.  I don’t write plot-laden stories, such as saving the galaxy, saving a child, saving a farm, or even saving a cat.  My characters’ conflicts drive my stories forward.  Every story I’ve written, and I’ve written hundreds, are always about characters saving themselves.  I don’t know if that makes any sense.  Maybe this comes from years of counselling others?  I focus on people overcoming their personal blocks/barriers to achieve happiness/love.  Unfortunately, hardly NY Times best-selling material LOL.

Themes/GMC.  Again, I was lost here.  I kept hearing GMC.  What is the theme?  Kat helped me here big time.  As a matter of fact, just last week I emailed Kat my GMC for my MCs in the third story to review.

KD: Do you feel that your mentor gets as much out of the mentor/mentee relationship as you do? Why or why not?

RW: Yes, Kat does.  She told me so.  LOL.  I sort of compare mentoring to critting, beta-reading, or judging writing contests—I learn a lot when I review another’s work.  I probably get more out of critting/reviewing than the person being critted or reviewed.

KD: Do you anticipate moving on from your menteeship or do you hope to continue the mentor/mentee relationship long term?

RW: I hope it continues long-term.  To this day, I still send stuff Kat’s way for her opinion.  She also lends a great ear.  Right now I’m going through writer’s insecurity.  A very bad case of writer’s insecurity.  I tend to doubt myself a lot.

With Kat, I beta-read one of her novels.  When she asked me I was sort of nervous hehe.  I was thinking, “She wants my opinion?”  Gulp.  What am I going to tell Obi-Wan Kenobi?  But after I got over my nervousness, I was flattered she trusted my opinion.  BTW, it’s an awesome read.  And yes, I learned lots reading that novel, too.

KD: Overall would you say having a mentor is a benefit to you as a writer?

RW: Big time.  I told my husband the other night that if my first book sees publication, every reader will see the following before they start the first chapter:  Thank you, Kat.  I couldn’t have done this without your help.

KD: Well, there you go, folks. Aside from the fact that this whole blog makes me blush, it's a good indication that mentoring can be beneficial to budding authors. It's one more way for writers to connect with writers. It's a great way to network and to make new writing friends while learning the ropes of the writing world. Whether you're a potential mentor or potential mentee, this author's experiences say: give it a try!

While we're on the topic, I've got some mentoring options open through Savvy Authors, click here to find out more. I also take on private mentoring projects. So don't hesitate to shoot me an email at kat at katduncan dot net and let me know what you think you need help with. If you're not ready for mentoring, try out one of my workshops. I have a reputation for personalized, gentle, well-explained and genuinely helpful feedback. Click here for a list of my upcoming workshops.

See you in print! -Kat

 
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